Usually I don’t stick with only one typeface. I think that a designer should not fall for only one font, but experiment and discover different typefaces all the time. There are fonts suitable for everything, and sticking to only one can become dangerously too much. As I tried to decide which one is my favorite type of font I realized, that I like Art Deco styled typefaces most.
1.Verlag
"Verlag” is the German word for “publisher” or “publishing house”. The font is inspired by the Guggenheim façade designed by Frank Lloyd Wright and it’s iconic Art Deco lettering and is a part of the Sans-Serif family. In 1996, when designing the magazine for the museum, Abbott Miller (Pentagram) approched Jonathan Hoefler (Hoefler & Frere-Jones) to create a custom typeface for the publication. Hoefler referenced Wright's iconic lettering and designed the custom typeface in 30 various weights and italic and bold versions for exclusive use in the magazine.
“Because the fonts would ultimately represent a range of individual artistic voices — from Cézanne to Kandinsky to Matthew Barney — Verlag was carefully planned so that its distinct personality would be checked by a sense of objectivity.
From the rationalist geometric designs of the Bauhaus school, such as Futura (1927) and Erbar (1929), Verlag gets its crispness and its meticulous planning. Verlag’s “fairminded” quality is rooted in the newsier sans serifs designed for linecasting machines, such as Ludlow Tempo and Intertype Vogue (both 1930), both staples of the Midwestern newsroom for much of the century. But unlike any of its forbears, Verlag includes a comprehensive and complete range of styles: five weights, each in three different widths, each including the often-neglected companion italic. ”